Miraculous Image of Our Lady of Guadalupe: Our Lady's Eyes.

Miraculous Image of Our Lady of Guadalupe: Our Lady's Eyes.
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Scientists from the NASA Research Centre have conducted extensive tests on the fabric and image and have discovered no scientific explanation, since the picture is neither painted, dyed, or woven. Digital enlargements of the Image were made and it was discovered that the reflection of Bishop Juan de Zumárraga looking in astonishment could clearly be seen in the pupil of Our Lady's eyes. Further study of the photographic enlargements and rigorous investigations of Our Lady's eyes (only about 1/3rd inch in size), have revealed not only the minuscule human image of a bearded man clearly identifiable in the eyes that no artist could have painted, but all the optical imaging qualities of a normal human eye, such as light reflection, image positioning, and distortion on the cornea which are impossible to obtain on a flat surface. When the eye of Our Lady is exposed to light, the retina contracts, and when the light is withdrawn, it returns to a dilated state, just as happens with a living eye. Our Lady's eyes have been ophthalmologically determined to be alive on the Tilma!
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In 1929, Alfonso Marcué González, the Basilica's official photographer, took black and white photographs of the Image and after careful examination of the photographic negative, found a clear image of a bearded man reflected in the right eye of the Virgin. He immediately informed the authorities of the Basilica who sworn him to complete silence about the discovery, which he complied.
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More than 20 years later, on May 29, 1951, Jose Carlos Salinas Chavez, while examining a good photograph of the face, rediscovers the same image of a bearded man reflected in the right eye of the Virgin, in the same place which it could be projected in an alive eye. Since then, many people had the opportunity to examine closely the eyes of the Virgin on the Tilma, including more than 20 physicians, ophthalmologists.
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The first one was on March 27, 1956, when Dr. Javier Torroella Bueno, MDS, a prestigious ophthalmologist, discovered the presence of the triple reflection (Samson-Purkinje effect) in the eyes of the Virgin - a characteristic of all live human eyes wherein the images are located exactly where they are supposed to be according to such effect, and also that the distortion of the images agree with the curvature of the cornea. In July of the same year, another noted ophthalmologist, Dr. Rafael Torrija Lavoignet, similarly examined the eyes of the Image with an ophthalmoscope in great detail and discovered that the eyes have the three refractive characteristics of a human eye. He also found human figure in the corneas of both eyes, with the location and distortion of a normal human eye and specially noted a unique appearance of the eyes: they look strangely "alive" when examined. By 1976, some twenty doctors had confirmed, orally and in writing, the "unexplainable presence" of a man with a beard in the cornea and lenses of the Virgin's eyes.
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In 1979, Dr. José Aste Tonsmann, PhD, a Peruvian ophthalmologist and an expert at IBM in the digital processing of images, and who for over 20 years studied the Tilma, digitally enlarged the Image of Our Lady's eyes by 2,500 times the actual size under extremely high resolution and had found not only a single figure, but images of all the witnesses present when the Tilma was first revealed before de Zumárraga in 1531, plus a small family group of mother, father, and a group of children, in the center of Our Lady's eyes, 13 persons in all. The size of that scene is about 1/100th of an inch. The Iris of the eye magnified, and through mathematical and optical procedures, Dr. Tonsmann was able to identify highly detailed images of at least 13 people imprinted in the eyes who are all present in both eyes: "the Indian", "bishop Zumárraga", the "translator", "Juan Diego showing the tilma" and below said images, "the family", but different in proportions, as would happen when human eyes reflect the objects before them. There are two scenes: the first contains the Bishop Zumárraga gawking at Juan Diego opening his Tilma and discover the image of Mary; the second scene, much smaller than the previous one, is located in the center of the eye and contains a typical family picture of Native Americans: a couple with several children around. The two scenes are repeated in both eyes with amazing accuracy, including the size difference caused by the greater proximity of an eye to the other, against the objects portrayed.
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Dr. Tonsmann used digital technology similar to that used in the images received from satellites and space probes in transmitting visual information. The image of Bishop Zumárraga in the eyes of Our Lady was also digitally enlarged 1,000 times than the actual size to be able to see what is reflected in his eyes. The eye of the Bishop contains the image of Juan Diego opening his Tilma before the bishop. The size of this image? A quarter of a micron, which is ¼ of a millionth of a millimeter!
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In summary, the Our Lady's eyes bear a kind of instant picture of what actually occurred at the moment the image was unveiled in front of the bishop and other witnesses on December 9, 1531.
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The figures are not visible to the human eye, except for one: that of the Spaniard, which is the largest. Nobody could have painted such tiny silhouettes. In the center of the pupils on a much smaller scale you can see another "scene", totally independent of the first. This is an Indian family composed by a woman, a man and some children. In the right eye, there are other people standing behind the woman. Below are the descriptions of each of the 13 figures as found in the eyes of Our Lady:
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Figure (1) An full-length Indian seated on the ground with head lightly lifted as if looking up, sign of attention and reverence. He has a kind of hoop in his ear and sandals in his feet.
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Figure (2) A white bearded elderly man with a bald patch, prominent straight nose, deep-set eyes that are looking down, believed to be Bishop Zumárraga as he appears at Miguel Cabrera's 18th century painting.
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Figure (3) A young man whose features show amazement, seemingly speaking to Bishop Zumárraga. Since the bishop did not speak Nahuatl, it is believed that this young man was an interpreter named Juan Gonzalez, a Spanish born between 1500 and 1510.
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Figure (4) Juan Diego, a middle-aged man, with indigenous aspect, with light beard and mustache, hook nose and half-opened lips, and wearing a coned hat - a kind of hat commonly worn by indigenous people working in the fields at that time. He has a Tilma tied around his neck, seemingly extending his right arm and unfolding his own Tilma before the bishop.
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Figure (5) A black woman. Behind Saint Juan Diego, appears a woman of dark complexion, possibly a slave who was in the bishop's service. Father Mariano Cuevas wrote in "Church History in Mexico" that Zumárraga said in his will that he released the slave. She was called Maria.
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Figure (6) In both corneas, there appears an unknown man with Spanish features who looks on pensively, stroking his beard with his hand. He is looking to the place where Juan Diego is unfolding his Tilma.
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Here is a mystery inside the mystery composed by Figures 7, 8, 9, 10, 11, 12 and 13. In the center of both eyes, there appears a group of denominated indigenous family. These images (Figures 7, 8, 9, 10, 11, 12 and 13) have different sizes compared to the other figures. However, these people have the same proportion and are part of a different scene:
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Figure (7) A young woman with delicate features seemingly looking down. She has her hair wove with flowers. Over her back is a baby in a "rebozo" Figure(viii - a long woolen or linen scarf covering the head and shoulders (also used as a sling for holding a baby; traditionally worn by Latin-American women).
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In a lower level, and to the right, there is a man with a hat Figure (9) and a couple of children, a boy Figure (10) and a girl Figure (11). Two other figures, a middle-aged man Figure (12) and a middle-aged women Figure (13) who stood behind the young mother Figure (7).
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Dr. Tonsmann, in his book, “El Secreto de sus Ojos” (The Secret of Her Eyes), complete with details and photographs of his last studies of the eyes of Our Lady on the Tilma, and perhaps one of the most fascinating aspects of the studies, concluded that Our Lady of Guadalupe not only left us her miraculous Image as proof of her apparition but some important messages which were hidden in the eyes on the Image until our times, when new technologies have allow them to be discovered, when they are most necessary.
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In 1991, an analysis made by outstanding ophthalmologists, identified normal microscopic network of veins and artery circulation in the free edge of Our Lady’s eyelids and the cornea. According to the ophthalmologists who examined the eyes, no painter would have been able to humanly reproduce such precise microscopic details.